Name of Film
|
|
Original Title
|
Levanon
|
Director
|
Samuel Maoz
|
Country
|
|
Language
|
Hebrew
|
Mins
|
90 mins
|
Format to be screened
|
|
Festival & Awards
|
2010 Won
Best
Screenplay Samuel Maoz
Jury
Grand Prize Samuel Maoz
Award
of the
Bronze
Camera 300 Best Cinematography
Golden
Frog Best Cinematography
DFWFCA
Award Best Foreign-Language Film
European
Discovery of the Year Samuel
Maoz
European
Film Award
Silver
Ribbon Best Director - Non-European
Film
Wolgin
Award
Golden
Reel Award
Human
Values Award
Golden
Lion Samuel Maoz
Nazareno
Taddei Award Samuel Maoz
SIGNIS
Award - Honorable Mention Samuel Maoz
|
Producer
|
|
Synopsis
|
The film depicts the inside of a tank, and the view
from inside through the gun sight (every change in the horizontal
and vertical viewing direction is accompanied by the hydraulic whine of the
traversing gun turret). The film is set during the 1982 Lebanon war -
the same war as in Waltz and the film Beaufort. There are four
Israeli soldiers inside: the driver in the tank's hull, the loader, the
gunner and the commander in the turret. Part of the time, there is also the
body of a dead Israeli soldier (kept there until it is taken away by
helicopter), a Syrian POW, a visiting higher officer, and a visiting Phalangist (Lebanese
Maronite Catholic allied with Israel) who threatens the POW.
The duty of the soldiers is to clear a Lebanese area from
lebanese citizens. They are instructed to use phosphorus grenades
that are forbidden by international treaty, but to use a code word for them,
to conceal their use.
The gunner has never fired the tank's cannon in a war
situation, and is hesitant at first. As a result, a fellow Israeli soldier is
killed. The soldiers have to cope with the deteriorating state of the tank,
the heat, bad atmosphere and small space inside, occasional failure of the
communication equipment, navigational problems, and mutual quarrels.
|
Note on Director
|
Shmuel (Shmuel) Maoz was born in Tel Aviv. At the age of
20, he was a gunner in one of the first Israeli tanks to enter Lebanon in the
1982 Lebanon War.[2] After the war, he trained as a cameraman at the Beit Zvi
theater school, and did art direction in film and television productions.
|
High Resolution Pictures
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Trailer Link
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Sources
|
New York Times, Wikipedia, IMDB
|
Sunday, November 27, 2011
Lebanon (2009)
Thursday, November 24, 2011
Woman Sesame Oil Maker
Name of Film
|
Woman Sesame Oil Maker (The Women from the
|
Original Title
|
Xiang hun nu
|
Director
|
Xie Fei
|
Country
|
|
Language
|
Mandarin
|
Mins
|
105 min
|
Format to be screened
|
DC
|
Festival & Awards
|
1993 - Golden
|
Production design
|
Ma Huiwu, Wang Jie
|
Synopsis
|
Illiterate villager Second Sister Xiang (Siqin
Gaowa) was sold as a tongyangxi (child bride)
to her present husband, a man with a lame leg, when she was seven. She has an
intellectually disabled son Dunzi, who suffers from epileptic
fits and is now grown up, and a younger daughter Zhi'er. Through her
diligence she has started a successful sesame oil mill and now becomes the
richest person in her village. A Japanese lady investor decides to invest in her business after visiting her mill. Meanwhile, Sister Xiang tries to find a bride for her son. She engineers her son's marriage with Huanhuan (Wu Yujuan), a peasant girl whose family is in dire financial straits. One night, Dunzi nearly strangles Huanhuan to death during a fit. Huanhuan runs back home, but her mother-in-law makes sure she returns. Huanhuan witnesses her drunk father-in-law beating Sister Xiang in bed. She also chances on Sister Xiang in an adulterous affair with family friend Ren, who fathered her daughter Zhi'er. Ren later initiates a break-up with Sister Xiang. Sister Xiang falls ill. She is heartbroken, despite her sesame oil being awarded top prize by the provincial government. Sister Xiang gradually realizes that Huanhuan, like her, suffers as a kindred spirit. She decides to release Huanhuan by asking Huanhuan to go for a divorce. But Huanhuan states that her life is already ruined. She then breaks down. |
Note on Director
|
The film is adapted and directed by Xie Fei and tells the story of a woman in a
small village in Hebei[1]
who runs a small sesame oil business that becomes unexpectedly successful,
but who then uses her money to buy for her mentally disabled son a peasant
bride. The film won the Golden Bear for Best Film at the 43rd Berlin International Film Festival in 1993, a prize it shared with Ang Lee's The Wedding Banquet.[2][3] |
High Resolution Pictures
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|
Trailer Link
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The Tree (2010)
Name of Film
|
The Tree (2010)
|
Original Title
|
|
Director
|
|
Country
|
|
Language
|
English
|
Mins
|
100 mins
|
Format to be screened
|
|
Festival & Awards
|
AFI Award
AFI Young Actor Award
Best Actress
Grand Prix
FCCA Award B
International Jury Award
|
Producer
|
|
Synopsis
|
After the sudden death of her father, 8-year-old Simone
shares a secret with her mother Dawn. She’s convinced her father speaks to
her through the leaves of her favourite tree and he’s come back to protect
them.
But the new bond between mother and daughter is threatened
when Dawn starts a relationship with George, the plumber, called in to remove
the tree’s troublesome roots.
As the branches of the tree start to infiltrate the house, the family is forced to make an agonising decision. But have they left it too late? |
Note on Director
|
Julie Bertuccelli started her film career as an assistant
director, working with acclaimed directors such as Krzysztof Kieślowski,
Bertrand Tavernier, Otar Iosseliani and Emmanuel Finkiel. She has
also directed several acclaimed documentaries. Her feature debut
was Since Otar Left, which she both wrote and directed. It went on
to win several major awards including International Critics Week at the
Cannes Film Festival and a Cesar Award for best first feature.
Bertuccelli first explored the idea of grief in Since Otar
Left (which also won accolades in
For Bertuccelli, there was no such consolation in real
life. A press kit informs us that while preparing to film The Tree, she
received news of the death of her husband and father of her children. I would
not normally mention this wholly personal misfortune, but since The Tree is
also about the death of a husband and father, it is difficult not to
speculate on how much of its power can be traced to the director’s
bereavement.
|
Trailer Link
|
|
Sources
|
A Separation (2011)
Name of Film
|
A Separation (2011)
|
||||||
Original Title
|
Jodaeiye Nader az Simin
|
||||||
Director
|
|||||||
Country
|
|||||||
Language
|
Persian
|
||||||
Mins
|
123 mins
|
||||||
Format to be screened
|
|||||||
Festival & Awards
|
Golden
Prize of the Ecumenical Jury
Reader Jury of the "Berliner Morgenpost"
Best Film
Best Screenplay: (Asghar
Farhadi)
Fajr Film Festival 2011:
Audience Award - Best Film
Crystal Simorgh Award - Best Cinematography
Crystal Simorgh Award - Best Director (Asghar
Farhadi)
Crystal Simorgh Award - Best Screenplay
Crystal Simorgh Award - Best Sound Recorder (Mahmoud Samakbashi)
Diploma of Honor - Best Actor in Supporting Role: (Shahab
Hosseini)
Diploma of Honor - Best Actress in Supporting Role (Sareh Bayat)
Pula Film Festival 2011:
Golden Arena Award - International Competition: Best Film
Sydney Film Festival 2011:
Official Competition Award - Best Film
Grand Prix: Golden Apricot - Best Film
Parool Audience Award - Best Film
Saint
Petersburg International Film Festival "KinoForum" 2011:
Grand Prix - Best Film
Most Popular Feature Film - Asghar
Farhadi
15th Iran Cinema Celebration:
Best Film
Best Director
Best Original Screenplay
Best Supporting Actor
Another Look Award
Audience Award - Best Film
FIPRESCI prize
Best Foreign Film Award
|
||||||
Producer
|
|
||||||
Synopsis
|
A married couple are faced with a difficult decision, to
improve the life of their child by moving to another country or to stay in
|
||||||
Note on Director
|
Asghar Farhadi (Persian: اصغر
فرهادی, born 1 January 1972 in Khomeynishahr,
Province ofIsfahan)
is an Iranian screenwriter and film
director.
Asghar Farhadi is a graduate of Theatre, with a BA in
Dramatic Arts and MA in Stage Direction from Tehran University and Tarbiat Modarres University. Farhadi
made short 8mm and 16mm films in Isfahan branch
of Iranian Young Cinema Society before moving on to writing plays and
screenplays for IRIB.
He also directed such TV series as the popular A Tale of a City and
co-wrote the screenplay of Ebrahim Hatamikia’s
His third film, Fireworks Wednesday won the Gold Hugo at
the 2006 Chicago International Film
Festival. His fourth film, About Elly won
the Silver Bear for Best Director at
59th InternationalBerlin Film Festival as well as Best
Picture at Tribeca Film Festival. It is about a group
of Iranians who take a trip to the
His latest film Nader and Simin, A Separation premiered
on 9 February 2011 at the 29th Fajr International Film Festival in
|
||||||
High Resolution Pictures
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|||||||
Trailer Link
|
|||||||
Sources
|
Wikipedia and IMDB
|
AMNESTY
Name of Film
|
Amnesty (2011)
|
Original Title
|
Amnistia
|
Director
|
|
Country
|
|
Language
|
Albanian
|
Mins
|
83 mins
|
Format to be screened
|
|
Festival & Awards
|
|
Producer
|
|
Synopsis
|
The Albanian government has issued a law allowing prisoners
to meet their married spouse in private once a month. Elsa then went to
Tirana specific date to meet her husband jailed for unpaid rent. Sheptim
went there also to meet his wife, imprisoned for forgery and forgery. A
story of abandonment begins between these two solitary beings. (http://www.arizonafilms.net/amnistie.html)
|
Note on Director
|
The film ‘Amnesty’ by Albanian director Bouyar Alimani has
premiered at the Berlinale. Alimani has been living and working in
‘Amnesty’ is his first film and also the first Albanian film in Berlinale’s history. The story is about the life conditions of the two leading parts and brings them together at the end in a sensitive way. Alimany studied at Tiranna’s |
High Resolution Pictures
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Trailer Link
|
|
Sources
|
Wikipedia and IMDB
|
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